Six original instruments sculpted by artists sit in a recording studio for six groups of musicians to come in (one at a time) and create a track (or more) each. The groups have six hours and are only allowed to sample from the instruments and their voice.
Inspired by Luigi Russolo’s 1913 Futurist manifesto “The Art of Noises” and his six families of noise:
1. Roars, Thunderings, Explosions, Hissing Roars, Bangs and Booms.
2. Whistling, Hissing and Puffing.
3. Whispers, Murmurs, Mumbling, Muttering and Gurgling.
4. Screeching, Creaking, Rustling, Humming, Crackling and Rubbing.
5. Noises obtained by beating on metals, woods, skins, stones, pottery etc.
6. Voices of animals and people, Shouts, Screams, Shrieks, Wails, Hoots, Howls, Death Rattles and Sobs.
In collaboration with:
• Each track must only use noise sampled from the instruments. Vocals are allowed but all lyrics must be written in the studio time.
• Musicians may only bring things that modify noise, not make noise themselves.
• Each group can have no more than six members.
• Each song must be titled and mixed within the six hour session.
• The studio should include at minimum:
- 12 contact mics (+ cables)
- 4 vocal mics (+ cables)
- An interface (and backup laptop with DAW if possible, as artists should bring their own)
• The musicians in each group should be selected to correspond to a specific group from Luigi Russolo’s manifesto (this is not essential).
Artists:
Joseph Bradley Hill
Tild Greene
Angus McCrum
Jonas Pequeno
Musicians:
Group 1 - DJ Dairy & MC Spritz (black midi), Aga Ujma, Enzo Samuel (Silkarmour) & Jerskin Fendrix
Group 2 - Bathwater 404, Devenny 404, Eliot 404 & Sonny 404 (404 Guild)
Group 3 - Clottie Cream & Rosy Bones (Goat Girl), Richard Limper (leather.head) & Horse Whisperer
Group 4 - Martha Skye Murphy, Kiran Leonard, Corpse Boy & Cajm (Powerplant)
Group 5 - GG Skips (Glows, Sorry) & Felix Raman
Group 6 - Bianca Scout, Jacob Samuel, j. b. glazer, Elena Isolini, Cam Molloy & Harald Smart
Engineering/Help:
Felix Stock
Mastering:
Josh Baxter (PVA)
Concept:
Joseph Bradley Hill
Tild Greene
Of Tool Set (Teeth Tools, Horizontal Harp, Xylostones & Shoulder Drum), 2019
Epoxy resin, flint, plaster, plaster polymer, secar 71, aluminium wire, fishing wire, iron filler, fibre glass, polyurethane varnish, rubber, expanded mesh, bamboo
Joseph Bradley Hill
Arms & Legs, 2019
Radiator key, toy hammer, stool, moulding hook, vinyl letter, saw handle, brass tube, curtain runners, mattress springs, door knocker, brackets, ball chain, oil canister, wooden door, screen printing frame, shelves, paper
Jonas Pequeno
n/a, 2020
Solenoids, motor, microcontroller, bespoke electronics, aluminium
Angus McCrum
Cast From the Track, 2019
Javelin, card, plywood
by MC Spritz, DJ Dairy, Enzo Samuel, Aga Ujma & Beth Dawson (members of black midi, Silkarmour & Jerskin Fendrix)
3:44
Enzo Samuel / Silkarmour:
swordsmanship or sword fighting refers to
(in cooking, a sauce is a liquid, cream, or)
the skills of a swordsman, a person versed in
(semi-solid food, served on or used in)
the art of the sword. The term is modern,
(preparing other foods)and as such was mainly used
(Most sauces are not normally consumed)
to refer to smallsword fencing,
(by themselves; they add flavour, moisture)
but by extension it can also be applied to
(and visual appeal to a dish. Sauce is a French word)
any martial art involving the use of a sword.
(taken from the Latin salsa, meaning salted)
The formation of the English word “swordsman”
(Possibly the oldest recorded European sauce)
is parallel to the Latin word gladiator, a term for
(is gram, the fish sauce used by the Ancient Romans)
the professional fighters who fought
(while doubanjiang, the Chinese soy bean paste)
against each other and a variety of other foes
(is mentioned in Rites of Zhou in the 3rd century BC)
for the entertainment of spectators-
Geordie Greep / MC Spritz:
ah…aH…AH
yo…let’s go…ok
forging nine to five
no one left alive
when I take my sword
to the club tonight
got the fury like Tyson
got the strength of a bison
like a train in the night
good GOD i’m frightened
got this sword to wield
make them get on your shield
been working all day
just to get this blade
forging swords in the fire
really gives me a thrill
when i showed it to my man he said “IT WILL KILL”
feel the heat from the furnace
from the streets where I earn this
you better run from the steel
coming straight at your heels
Enzo Samuel / Silkarmour:
too many swords
chef up the sauce (got the)
cut up the olives
while i’m in the forest (got the)
too many swords
chef up the sauce (got the)
cut up the olives
while i’m in the forest
Aga Ujma:
If you take your sword
I’ll show you the way
through forest and mountains
the way dragons live
let’s tear out their flesh
let’s eat out their eyes
let’s play with their bones
and go to the club!
Geordie Greep / MC Spritz:
you wanna mess with me?
then come and you will see
can cut a million trees
this sword is T.B.E!
I can craft ten swords in a week
I am the man they all seek
when they need a sword
to dispatch their lord
deep in the forest all day
i’m always slaving away
to make a sword that can’t break
this ain’t no no-tongue blade
chimps in the kitchen, making lots of mischief!
can you hear the slash and the swoosh
when i emerge from the bush
take out anyone who dare to intrude
i’ll drop an anvil on your head
from the top of a tree
if you try to take me while i’m in the forgery
Jerskin Fendrix / Beth Dawson:
I use a sword to cut my onions thinly
I use a sword to dice up my chilli
swords in the kitchen honeylook who’s cooking
I got chicken in the wok
and veal on the skillet (huAH)
cuttin’ my rolls up
making all these sandwiches
walk up to the barracks like
“who’s gonna eat these sandwiches?”
slashin’ up goblos on an empty set of stomach
ain’t gon get nothin’ done
but get slashed up by some goblins
GOBLINS ON MY RIGHT (and)
GOBLINS ON MY LEFT
I GOT GOBLINS ON MY SWORD
AND THEY’RE ALL BLEEDING TO DEATH
get home from the wars and
cook me up some casserole
I guess i’m the greatest after all (urgghh blergh)
Geordie Greep / MC Spritz:
you like that huh?
yer boy Jerskin
destroyin’ ears
destroyin’ microphones
T.B.E motherfucker
let’s go
slow dance slow dance slow dance
the last chance for romance
come on let’s go
everybody have a great night
Tyson Fury, heavyweight champion of the world
by Bathwater 404, Devenny 404, Eliot 404 & Sonny 404 (members of 404 Guild)
4:38
Devenny 404:
it’s a stic-
where I’m from-
go ahead-
I don’t ca-
under the thun-
storm chase-
make mov-
take mor-
sing along- (situation)
where I’m from
we’re all patient
go ahead and go tape this
I don’t care
my mind's vacant
under the thunder I’m chasing
storm chaser with a camera
make movie and it’s amateur
take more it’ll damage ya
Eliot 404:
all my bones
coated in chrome
stone crumbles
calcium drones
all these bones (and)
production clones
reduction, stumble
(was) heard not shown
spin spin spin
tap tap tap
sing sing sing
clap clap clap
spin spin spin
tap tap tap
sing sing sing
clap clap clap
mirage near
metal gear
translucent screen
mercury tears
settle here (and)
petals clear
copper green
can’t see still hear
all my bones
are coated in
all my bones are (coated in)
all my-
bones
bones
bones
boneyard
upside down
scrap heap
inside out
boneyard
upside down
scrap hea-
Sonny 404:
yeah, yeah
sunday bells still chiming
guiding me there gotta dash like hyphen
lighthouse i’m in
safe from the siren
stay another day if the tides in
flying my kite in lightning
getting exhausting instead of excited
fixing it fighting it
i’m in a bind my guy
someone that I shouldn’t confide in
rib cage open I climb in
silent
violent
inside the Titan
mistakes they don’t define him
stars still shining
said its all timing
yeah
rib cage open I climb in
silent
violent
inside the Titan
mistakes they don’t define him
stars still shining
said its all timing
by Clottie Cream, Rosy Bones, Richard Limper & Horse Whisperer (members of Goat Girl & leather.head)
2:03
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
fuck off
(diggy diggy dig dig dig)
fuck off
fuck off
(diggy diggy dig dig dig)
fuck off
fuck off
(diggy diggy dig dig dig)
fuuuu-
(diggy diggy dig dig dig)
(diggy diggy dig dig dig)
(diggy diggy dig dig dig)
fuck off
(diggy diggy)
by Martha Skye Murphy, Kiran Leonard, Corpse Boy & Cajm (incl. members of Powerplant)
9:51
by GG Skips & Felix Raman (incl. members of Glows & Sorry)
3:33
yeah (yeah)
inside
instinct
set deep
you’re hiding in your sleep
set pace
release
i’m conversationing
(with)
instinct
set deep
you’re hiding in your sleep
set pace
release
i’m conversationing
(with)
instinct
set deep
you’re hiding in your sleep
set pace
release
i’m conversationing
(with)
the symmetry erupts
a tropical sigh
you’re bathed by palms
and in the moonlight
you’re foetal inside
the bay
your symmetry erupt
by Bianca Scout, Jacob Samuel, j.b.glazer, Cam Molloy, Elena Isolini & Harald Smart (incl. members of Curl)
14:33
can’t wait, can’t wait, can’t wait (lie awake, lie awake, lie awake) (x5)
stay awake, stay awake, stay awake
can’t wait, can’t wait, can’t wait (lie awake, lie awake, lie awake) (x5)
can’t wait, can’t wait, can’t wait
(oooooo)
can’t wait, can’t wait, can’t wait
(oooooo)
(ooh la la la, ooh la la la, ooh la la la)
(oooooo)
i’m in the garden (x6)
ooooo
i’m in the garden (x5)
i’m in the garden (x33)
a a a a a o o oo o oo oo
(whistling)
the other two are leaving home, don’t think that i can follow you (x3)
the other two are leaving home, don’t think that i can follow you (x5)
(the other two are leaving home, don’t think that i can follow you) (x5)
to think that i aa a a a a a a a a a a a (don’t think that i can follow you)
(the other two are leaving home)
(the other two are leaving home)
(don’t think that i can follow you)
the other two
(ooooo)
(aaooooo)
(oooooooooo)
(aah haaah ooooah hooooah hoooayah)
Luigi Russolo - The Art of Noises (1913)